Each one's story is told in succession with little interaction between the siblings until each one's death. Each story is compelling on its own. The characters are well developed. Each life story has a clear beginning, middle and end. The place and time each sibling's story covers is detailed and distinct.
An intriguing, well written, and aware novel delineating the difference between belief and science, reality and fantasy. The choices each sibling makes will resonate long after you finish reading.
Since his father's death, he manages their farm in a suburban area of LA once known as the City of Dickens. A talented farmer, he grows, among other cash crops, square watermelons and pot, and his uniquely delicious produce is very popular locally. In the prologue, we find him summoned to appear before the Supreme Court of USA on charges of racial segregation and slavery.
Although our narrator's name is never mentioned, he is referred to by one character as The Sellout, and bears the nickname Bonbon from his performance in a school spelling bee. Beatty gives the reader a cast of quirky characters that includes a former child-actor, the Assistant Principal of the Chaff Middle School, a female bus driver and a has-been TV personality who rewrites classic texts into blackly correct books. A former city is re-established via Freeway signs and a three-inch-wide white painted border. Meetings of the Dum Dum Donuts Intellectuals are the forum for black ideas and our protagonist employs a sort of reverse psychology that ends up in a resegregation push. He also provides novel take on blackface entertainment.
One World have produced editions of Beatty's four novel with themed covers and this one has a lawn jockey with a gas lamp on the cover, the significance of which becomes clear in the text. This satire has been described as brilliant, outrageous, demented, hilarious and profound, all succinct and accurate descriptors. Very entertaining.
People used to talk about the imminent death of reading. The internet, it was thought, would kill the book industry. But old habits die hard, and the trusty American novel continues to give readers many hours of escapism. In fact, according to Global English Editing's infographic on American reading habits published below, we're reading almost as much as we ever have. [More]
Slumberland is the third novel by Man Booker Prize-winning American author, Paul Beatty. Ferguson W. Sowell, aka DJ Darky has a talent for DJing, and says "I compensate for a lack of skills and Negritude with a surfeit of good taste and a record collection that I like to think is to DJing what the Louvre is to painting." He has spent months trying to compose his perfect beat, and it's almost there: in the parlance, it is "presque parfait".
The Beard Scratchers, members of his record pool, agree. After much analysis, they hit upon the missing element: it needs to be ratified by their ultimate beat break, the elusive Charles Stone, aka the Schwa. Coincidentally (or perhaps not quite?), Ferguson comes across a porn tape sound-tracked with music certain to be the Schwa's. The trail leads to East Germany and, with some help from the Beard Scratchers, Ferguson finds himself engaged as a Jukebox-Sommelier at the Slumberland Bar in Berlin.
It is a Berlin about to tear down its Wall, and Ferguson is somewhat surprised to find that others share his love of the Schwa's music: he is assisted in his quest by a bartender, a journalist, a Stasi agent, a pair of German negro sisters, and, eventually, the clientele of the Slumberland. Through a number of quirky characters and some crazy, laugh-out-loud events, Beatty examines the experience of the negro in Germany.
One World have produced editions of Beatty's four novel with themed covers and this one has LP discs on the cover. A knowledge and appreciation of jazz is bound to enhance the enjoyment of this story, but is not essential, because the plot and characters are strong enough to draw the reader in. The musical descriptions certainly make the reader wish to hear the Schwa's music. There's plenty of wit and black humour in Beatty's lyrical prose. Original, incisive and funny.
The story unfolds with Christina's as a young girl. A childhood illness left her with difficulty walking and no cure for her bone disease. As she grew older, the effects worsened leaving her crippled making her farm chores difficult. A bright student, the opportunity to further her studies to become a teacher were dismissed early by her parents. Her future only left her with two choices, to marry or maintain the farm. Sadly, she had very few opportunities to make romantic connections leaving her with no escape. Christina is not the most likable character, but by reading the book you become sympathetic to her disposition. Andrew Wyeth developed a relationship with her over many years and was able to capture a different side of her in this painting.
Andrew Wyeth painted the portrait, but the author writes a beautiful story by bringing it to life. Intertwined in the story is how she met Wyeth, who through his masterpiece, shows the world her softer side of someone having suffered so much both internally and externally. The author showcases a very moving and impactful novel.
The novel is told in the form of letters and diary entries. Most of the action takes place in 1864-65, and the early letters are between Placidia and her cousin Mildred, but later sections set in the 1890s focus on how Achilles, the son of Placidia and Gryff, uncovered his parents' secrets and changed the way he thought about them and himself.
I can't say much more without giving away too much. I found the novel held my interest and that the author did a great job of heightening the suspense while slowly revealing the truth. The novel explores the hardships of women left alone to manage while their men are at war, as well as the dark side of slavery, but it also depicts a marriage that, although sorely tried, survives because of love.
The Perfect Girl, also titled much more evocatively, Butterfly in the Dark, is the second novel by British author, Gilly Macmillan. At fourteen years of age, Zoe Guerin, a precociously talented Devon girl, had a promising career as a concert pianist ahead of her. Then she was found guilty of causing an accident that took three teenagers' lives.
At seventeen, now called Zoe Maisey, she has served her sentence in a Secure Unit, and her mother Maria has tried to give them both what Zoe recognises as a Second Chance at Life. But her attempt to restart her career in Bristol is dramatically aborted due to an incident that vividly brings back that tragic event and its aftermath. And mere hours later, Maria Maisey is dead.
Macmillan employs three main narrators (Zoe, her aunt Tessa and her solicitor, Sam) to tell the story, adding another two in later chapters. The bulk of the story covers a period of less than twenty-four hours, but there are flashbacks that detail earlier occurrences.
Zoe's memories of her trial, her interactions with her keyworker at the Secure Unit, and a film script written by her step-brother, Lucas, serve to fill in some of the back story and establish Zoe's state of mind. Both Sam's and Tessa's more mature perspectives establish the nature of the main characters and their interactions.
Macmillan's portrayal of a brilliant teenager and the effects of the accident on her life, and the lives of those close to her, is convincing. Her descriptive prose is evocative: 'Lucas just moved quietly around the different parts of the house and when he settled down anywhere, it reminded me of a dark shadow cast over a patch of white sand".
While the cover's enticer "Nobody knows the truth but her" is quite misleading, this is a gripping tale. All the characters have secrets and several could have motives for murder. Macmillan skilfully builds her story, gradually feeding in clues and red herrings to produce a page-turner that will keep the reader guessing until the truth is revealed. Recommended!
Typewriters feature heavily: there's a typewriter on the cover; there's an image of a different model of typewriter at the beginning of each chapter; sometimes, a typewriter is an integral part of the story, sometimes it has a minor role, and sometimes it just gets an incidental mention. Many of the characters are appealing and a particular quartet who reappear twice after their initial tale might be well suited to have their own novel (in fact, one of their stories was published in a separate volume in 2014).
The stories are an ideal length for dipping into, but also interesting and different enough to read without pause. Topics are many and mixed: refugees in the present day (or near future) and from a half a century ago; travel by car and plane as well as time travel, space travel and travel down memory lane; ten pin bowling; surfing; motel accommodation; moving house; the public relations junket; making it on the stage; the heavy toll of wartime service.
Hanks gives the reader laughter and romance, loyal friends, wise words and plots that aren't entirely predictable. It's easy to imagine Hanks himself as the narrator in many of these tales: his voice is really there, even in the print version. This is an outstanding debut, and if Hanks ever tires of Hollywood, he can certainly direct his energies to the keyboard (whether a typewriter or electronic), as more tales of this ilk would definitely be welcome. Very enjoyable.